Mount Hood

Revenge is Best Served Raw

Written by:  Mikayla Coleman

Released on Netflix Apr. 6, the 10-episode drama mini-series “Beef” has been taking the world by storm. The series, created by Lee Sung Jin, stars Steven Yeun as Danny Cho, Ali Wong as Amy Lau and David Choe as Isaac Cho. 

The series follows Danny Cho, a struggling contractor, and Amy Lau, a prestigious business owner, as their worlds collide and implode after a particularly spicy road rage incident between the two. Instead of setting things aside and moving on as most typically would, both characters allow the incident to fester into a bitter feud that completely takes over their professional and personal lives — putting everything and everyone in jeopardy. 

The two main characters’ lives could not be more different. The show begins by depicting Danny struggling to maintain his contracting business and cohabitating with his younger brother in a small apartment. 

Amy Lau is on the cusp of a major business deal that will allow her to sell her small business and finally be able to enjoy the luxury that she has worked hard for. Amy has a young daughter and a mildly famous husband, known for being the son of a famous Japanese artist. While Amy seems to have the “better” life, it becomes clear throughout the series that money truly cannot buy happiness. Amy is painstakingly choosing to be surrounded by many tone-deaf members of the one percent — earnestly trying to ignore the blatant philosophical and ethical differences between herself and those close to her. 

And despite the money that Lau has access to, there is a major parallel between both Danny and Amy — their utter, bitter unhappiness. This common thread of struggle weaves the two together in a beautiful melancholy throughout the entire series and ultimately brings them together when they are both at their lowest. 

Most episodes begin by displaying paintings by David Choe, carrying heavy visual metaphors and symbolism for what is to come. The seething energy that is present between these two characters, along with several deviations and side plots, makes every minute captivating. 

9.5/10.

Contact the author at howleditor@wou.edu

Songs for Fan Girls

Written by Juliana Tinker, Addie Floyd and Caitlin Quirk.

“Burning Love” — Elvis Presley

“Satellite” — Harry Styles

“right where you left me” — Taylor Swift

“The River” — Daisy Jones & The Six

“Moves” — Suki Waterhouse

“Tutti Frutti” — Little Richard

“Thunder Road” — Bruce Springsteen

“Dive” — Olivia Dean

“Silver Springs (Live)” — Fleetwood Mac

“Ceiling” — Lizzy McAlpine

“I know it won’t work” — Gracie Abrams

“What A Time” — Julie Michaels, Niall Horan

“Jailhouse Rock” — Elvis Presley

“Ever Since New York” — Harry Styles

“Would’ve, Could’ve, Should’ve” — Taylor Swift

“Dancing with Myself” — Billy Idol

“American Girl” — Tom Petty and the Heartbreakers

“The Oogum Boogum Song” — Brenton Wood



WOU Art Galleries Spring into Action

Written by: Gretchen Sims

April has been an eventful month for Western Oregon University Art Galleries. With works displayed in the Cannon Art Gallery, Instructional Technology Center, Hamersly Library and the Werner University Center, one can enjoy so much art across campus. From student artists to seasoned vets, the exhibits put on by the WOU Art Galleries are a staple in the community here at Western. 

These are the current art exhibits hosted by Western and the dates that they will be here. Be sure to check them out before they’re gone. 

Walk This Way — Composed by the artists of Living Studios in Corvallis, OR, this exhibit features “artwork made for art’s sake.” Living Studios gives a creative outlet to adults experiencing intellectual or developmental disabilities. The artists’ detail-oriented works present art the way it “should” be — everything everyone thinks it’s not. 

This colorful and engaging exhibition runs through May 5 in the Cannon Gallery of Art. Check out this exhibit Monday-Friday 9 a.m. to 5 p.m., or by appointment. 

Islanded (no more) — This exhibition captures the experience of what it’s like to be LGBTQ+ in America through the photography of those living it. A three photo series and five short films by Carl Collison are featured in the Hamersly Library Exhibit on the second floor. The works document the LGBTQ+ experience through both horrific queerphobic violence, but also the hope many find in the future. 

This moving exhibit runs through Apr. 30 and can be viewed any time the library is open. 

Picturing America — On the third floor of the Hamersly Library, this collection of works showcases the talented Gregory Poulin. This is a continuation of his ongoing series which finds inspiration in exploring a diverse group of individuals and their outlook on America today. 

This collection will be available until May 3 and can be viewed any time the library is open.

Rotating Senior Art Exhibit — Every month, a new senior from the Art & Design Program showcases their work in the Werner University Center Exhibit. This is a chance for students to show off their talents and express themselves through their art. 

This month, the student artist is Morgan Amerson whose exhibit “Color Me Surprised” will be available for viewing until May 6. Stop by Monday-Thursday between 7:30 a.m. to 8 p.m. or Friday between 7:30 a.m. to 9 p.m.

For any questions, contact Gallery Director Paula Booth at boothp@wou.edu

Contact the author at howlentertainment@wou.edu

Interview with Aisia Carrillo

Written by:  Gretchen Sims

This month’s senior artist is Aisia Carrillo. Carrillo explores the theme of connection through exploration in their exhibit “The Journey of Exploration.” Carrillo states that, “As a student exploration of medium and message has been a large part of my work.” 

Being able to see the connectivity between art and personal experience can enable an artist to engage with and better entrance their viewers. 

Carrillo’s mediums help represent their message. The charcoal drawings that open this exhibit represent the message that Carrillo hopes to display. The exhibit then transitions into beautifully colored paintings that embody how color can add to the message of the pieces. Finally, the exhibit ends with yarned pieces that draw connectivity between all of the works. 

Carrillo masterfully uses their works to showcase the range of mediums in art as well as an exploration of subject matter.  

Q: What does art mean to you?

A: Art to me is a form of expression that enables me to show everyone how I see the world.

Q: What first got you interested in art?

A: I can not remember what first got me interested in art all I remember is asking my parents for art supplies when I was very young.

Q: What would you like others to take from your art?
A: I would like others to be able to feel something when they see my art. Whether it is good or bad I seek to invoke an emotion.

Q: What inspires you?

A: I am inspired by the world around me and everyday life. I am constantly thinking of new ideas and pictures of things I can make whether I’m driving or reading a good book. 

Q: What is your “why?” (what makes you the artist you are today)

A: My why is the challenge. I love a challenge and art allows me to challenge myself and push myself to be better every day.

Contact the author at howlentertainment@wou.edu

Discovering Connection

Written by: Nicholas Sarysz

For years now, and especially since the COVID-19 pandemic, much of the human connection our societies were built off of has been lost; and each day it feels like society has been driven further and further apart. 

Most of the focus within the news and other popular media outlets is all of the negative encounters we find ourselves in. While it is important to be cautious in every situation, it is also important to Discover Connection, which is the goal of the YouTube Channel under that exact title.

The channel explores the power of human connection with the mission of educating, inspiring and empowering people to help make our world a happier and healthier place. The channel’s producer, Brad, is a Canadian storyteller that works on the channel with a few friends. Brad not only explains the power of connection but displays it through the videos he creates. 

He started the channel back in September 2018, leaving his parent’s home in Nova Scotia and hitchhiking all the way to Vancouver, spanning 29 days and 5800 km. 

Throughout his documentation of the journey, Brad made connections and friends by interacting with complete strangers in unfamiliar areas, which is something that many of us would find impossible.

Fast forward to today, and Brad is doing the same thing with his friend Liam, this time through the United States. They are not only hitchhiking across the entire country, but they are doing everything solely off the kindness of strangers. This means that all of their transportation, meals and lodging were provided by people they had never previously met. While this concept leads to plenty of awkward interactions, it leads to far more incredible connections that can be heartwarming to a viewer behind a screen.

Currently, the series, which they titled “I Crossed America with $0” is on its eighth episode, with the 10th episode finale scheduled to release during the last weekend of April. Not only is the series genuinely entertaining, but it does an excellent job of highlighting just how special human connection truly is. Each person they connect with is unique and shows care and compassion in vastly different ways. 

The series does an amazing job of showing just how different life is for each of us and how cultural context and our experiences impact everyone differently.

All in all, the series is an inspiring, thought-provoking experience that requires an open mind. It is a must-watch.

Contact the author at howlstaffwriter@wou.edu

“Love is blind” is problematic

Written by: Gretchen Sims

Content warning: contains spoilers about “Love is Blind”

 

The Netflix reality TV show “Love is Blind” has become increasingly popular over the past few years. Now amassing four seasons with no end in sight, “Love is Blind” is undisputedly a riveting concept and has captivated fans around the globe. 

The social experiment this show revolves around poses the question of whether or not people can put aside their physical preferences and fall in love without being able to see the other person. In order to accomplish this, the participants are put into “pods” where they can hear the person on the other side but can not see them. People are shuffled around between different dates in these pods until the man proposes. After this, the couples are tested in the real world to determine whether or not love is blind. 

This show fulfills all the drama cravings one could ever have, and yet it begs the question… is this just an innocent escape from reality, or does it have deeper and more concerning implications? 

One of the most obvious concerns about “Love is Blind” is the demographic of the participants. Participants are straight, heterosexual couples that pursue traditional gender roles in their relationships. The show does not shy away from this and, in fact, often leans into harmful stereotypes. 

In season three, Nancy Rodriguez says, “I would be a great mom to like, 10 kids. My ovaries are dancing,” after meeting a potential fiance in the pods. All of the women on the show want large families and often express how they cannot wait to start popping babies out. 

Men in the third installment of the show exuded toxicity. From saying no at the altar due to his fiance’s professional opinion on abortion, to threatening a breakup because his fiance stayed out too late, all the way to telling his fiance that eating two tangerines all day would spoil her appetite for dinner, men in the third season of the “Love is Blind” franchise were always coming up with new ways to subject the women to emotional trauma.

After the third season, the “preditors,” producers slash editors, decided to even things out by making the women the drama in season four. This switch was very obvious and left viewers wondering if this act was an intentional way to even the playing field in response to backlash caused by the unhealthy relationship dynamics presented in season three. 

Adding to the absurd drama, the cups that the contestants of “Love is Blind” drink from are metal — preventing the audience from seeing how much, or what, is inside them. In many instances, contestants talk about the type of alcohol that they are drinking, and, it can be deduced from many of the contestants’ actions, that they are drinking heavily. While heightened emotions can make very good reality TV, it probably isn’t the best idea to decide to marry someone in a month while under the influence. 

Oh yes, and then there’s that. Choosing to spend the rest of your life with someone is a huge deal and, arguably, one month isn’t enough time to make that decision. 

Many members of the “Love is Blind” cast do fall in love, but they are unable to follow through with it when it comes to the wedding day due to indecision. A good example is SK and Raven in season three and Micah and Paul in season four. Perhaps, given more time, these relationships could have worked out. 

Many people can agree that drama-filled shows are their guilty pleasure, so before sitting down for a fifth season, be sure to think about the emotional toll these participants are experiencing as well as the relationship precedent it is setting for its viewers. 

 

Contact the author at howlentertainment@wou.edu 

Mario movie madness

Written by: Mikayla Coleman

Content warning: this article contains spoilers for “The Super Mario Bros. Movie” 

Despite having a rating of only 57% on Rotten Tomatoes, “The Super Mario Bros. Movie” has taken audiences by storm. 

The movie debuted in theaters on Apr. 5, starring many notable actors such as Anya Taylor-Joy as Princess Peach, Seth Rogan as Donkey Kong, Chris Pratt as Mario — and the true star of the show — Jack Black as Bowser. 

One of the most admirable things about “The Super Mario Bros. Movie” is that it transcends generations. No matter how one has been exposed to the world of Super Mario Bros., via old-school arcade games, Nintendo Gamecube or a console as new as the Nintendo Switch, there are many references scattered throughout the film to keep one entertained. 

The movie begins in the tangible world of Brooklyn, New York as brothers Mario and Luigi attempt to make a living by working as a plumbing duo. After having a less-than-stellar first customer experience, the brothers set out to prove themselves by saving Brooklyn from a city-wide plumbing disaster. In the process, Mario and Luigi are transported into different worlds through a big green pipe where they are separated from one another. Luigi ends up in the Dark Lands which are under the control of Bowser. Mario ends up in Mushroom Kingdom where he joins forces with Toad and Princess Peach to find his lost brother. Many critics feel that the plot was thin or lack-luster, but with its target audience being young children and those who were fans of the games as kids, I feel that a simplistic and easy-to-follow story line was warranted. 

If one is attending the movie to experience the nostalgia of the early 2000’s Super Mario franchise in all of its glory, and is also of the legal drinking age, it is my opinion that this movie is best experienced slightly inebriated. 

The film is filled with intricate imagery inspired by the games, paired with an amazingly immersive soundtrack. Overall, I think the movie was far better than expected and I had a blast seeing it in theaters, even as a 21-year-old. 

9/10.

Contact the author at howleditor@wou.edu