Mount Hood

Learn more about Ali McCarthy, senior student creating content

Never Retallack |  Entertainment Editor

Spending time stuck at home can leave many people feeling as if they have nothing left to do. English major Ali McCarthy, a Western Alumni, has decided to use her free time creating content on YouTube. Get to know more about her process and what her channel is about in this Q&A.

 

Q: How have you been handling the quarantine?

A: Quarantine has been… interesting. I spend pretty much all of my time watching videos/shows/movies or finding something to do. It’s an equal balance of laziness and productivity, but I’m definitely missing my friends. I try to stay on track with a bullet journal and try to write down things that can help me be productive or creative. I figured since I’m stuck at home, I’ll make the best of it and maybe test out some new hobbies or skills.

 

Q: What made you start your YouTube channel?

A: I was going through a bit of an existential crisis going into my last real year of college, feeling like everything I thought I knew about myself wasn’t actually what I was, and just feeling really lost. Back in high school, I took a video editing class and I really enjoyed editing. So during my crisis, I tried out a bunch of hobbies to kind of find that passion I once felt for writing and found it in video editing. I figured since it was fun and I thought I was good at it, I’d post it somewhere. It was mostly montages and compilations of my snapchats with friends or times I’ve traveled, but then I wanted to kind of dive into challenges and more entertainment and find a way to laugh at myself to take my mind off the stress of school and relationships and the future. Kind of like finding control in a world I couldn’t control.

 

Q: What are your primary focuses for the channel?

A: My videos mostly consist of me failing at something but still somewhat having success at it. I’ve learned to laugh at myself a lot, and I just kind of responded naturally to things like challenges, DIYs, cooking, etc. I just wanted to have fun, and I’m incredibly sarcastic and have a dry sense of humor. I feel like I don’t see a lot of that. Even now, I don’t make these videos expecting to blow up. It’s just a temporary thing because it’s fun for me. I’ve turned myself into Joe Exotic from the “Tiger King,” I’ve talked about my craziest and embarrassing stories, I’ve put on 100 layers of clothing, I’ll do a makeup tutorial; it’s all pretty sporadic but fun, and I usually just record in the comfort of my own bedroom — mainly because my mom would be super confused and interrupt if I recorded in the kitchen.

 

Q: What’s your favorite part about producing videos?

A: The editing process is my favorite. Once I get started, I just zoom through it. It’s incredibly therapeutic for me and lets me zone out for a while. Then when I’m done, I’ve spent hours creating something that I’ve envisioned and it makes me feel pretty good. Finding background music and sounds, adding effects, playing around with all the tools my program has — it’s creating art.  

 

Q: What are your hopes for producing content?

A: I guess for right now, I’m just making videos just to make videos. I don’t really expect to make it big or have thousands of subscribers and have a career from this, I know it’s possible but it isn’t a priority. I’m not good at drawing or have a sport I’m killer at, it just became something that took me out of some anxiety and made me feel in control. If I happen to go somewhere with this, that’d be cool, but I know sooner or later I’ll have to figure it out and either commit or move on. But right now, it’s me finding enjoyment and possibly spreading a little enjoyment to someone else. But life’s pretty crazy and you never know what could happen. 

 

Q: What has been the general response to your channel?

A: Generally, it’s my friends or acquaintances, basically anyone who follows my Snapchat or Instagram because that’s where I advertise my videos. It’s always a good response, people tell me I’m funny — which is a huge compliment to me — or they say they loved how my video went with all the comical effects I add into it. It’s been great responses but then again, it’s from people I know, so I would hope they’re nice about it, but I also always appreciate the feedback. 

 

Q: For those interested in your content what should they look up?

A: If anyone’s interested just look up Ali McCarthy or RallyAli, one “L” and one “I”, that’s a pretty common mistake. I try to do videos based on the trends going around or what I find is most interesting or entertaining, but YouTube’s algorithm is weird so it’s best just to look up my name. 

 

Q: Anything else you would like to add?

A: I mean, any feedback is always welcome. Subscribe for new videos every Wednesday. I feel weird self promoting myself but you gotta do what you gotta do, am I right? We’re all just trying to have some fun before life gets too serious, so don’t be afraid to just do what you want to do.

 

Contact the author at howlentertainment@wou.edu 

Photo courtesy of Alison McCarthy

Find out who won the Peter Sears Poetry Prizes this year

Never Retallack |  Entertainment Editor

While school life has shifted to remote learning and creating, the university is still allowing opportunities for students to showcase their work. As such, the Department of English Studies has announced the winners of the 2020 Peter Sears Poetry Prize. 

Peter Sears is an esteemed poet in Portland and has obtained degrees from Yale and the University of Iowa. He was named the Oregon Poet Laureate from 2014 to 2016 and remains an important and influential writer in the state.

Sears also worked as a community services coordinator for the Oregon Arts Commission where he aided writers in their work with the National Endowment for the Arts. All of his hard work has earned him awards from the Oregon State Library, Willamette Writers and Literary Arts. Along with the Poetry Prize he has also founded the Oregon Literary Coalition and the publishing press Cloudbanks Books, along with their poetry journal, Cloudbank.

For the Peter Sears Poetry Prize, the first prize for the contest was $200, second prize was $75 and the third was $25.

The first prize winner went to Cylinda Neidenbach for her piece “To Bear Arms.” This piece was short and takes one’s breath away, seemingly a love ode to someone who has been through violence and hard work.

Cheyan Swan took the second prize with their powerful poem “a spell for revenge.” Between lines of strikingly intense spell weaving and casting, Swan intertwined who the spell was for — revealing hardships they have been through.

Third prize went to Katherine Sutton for their piece “Flower Crowns.” This poem compares the different experiences between that of a child and those who are older, all through creative metaphors using a flower.

Those who are interested in reading the full poems can find them here. https://dev.wou.edu/wouportal/email_attachments/allstudents/msg-1588262462-25662-0/PeterSearsWinners2020.pdf

 

Contact the author at howlentertainment@wou.edu

Williams takes the stay-at-home order to create more art

Never Retallack |  Entertainment Editor

Hayley Williams, the frontwoman for the punk-rock band Paramore, released two parts of  “Petals for Armor” in February and March and now the final album is ready.

“Petals for Armor” is a 15-song creation of Williams’ diary; the vulnerability and rawness in each song has shocked fans.

In a recent interview with Rolling Stone magazine, Williams commented on the album that “I needed these songs to help me get to a place where I could name my shame, take inventory of emotional scars, true friends, awful coping mechanisms and discover what I desire for my life.”

Her most recent EP released for the album was the song “Dead Horse,” an emotional rollercoaster of her romantic life. The song is powerful and confronts issues of infidelity and expectations, featuring several different versions of herself throughout the song to show her metaphorical growth and changes.

The album is a journey through her emotions, dealing with unmanaged rage in “Simmer” and “Leave it Alone,” and questioning the health of her relationships in “Why We Ever,” “Taken” and “Dead Horse.”

This album is vastly different from her music with Paramore; she takes risks with more funky and abstract beats that showcase her gentle vocals and emotions.  

The last song on the album, “Crystal Clear,” is one of my favorites because it is the perfect end to her journey. She talks about broken trust and anger — how she would never be so naive again —  and the song simply ends with her saying “I won’t give into the fear. It’s a feeling. I’m still right here.” This powerful line shows that she can work through her fear and continue on in her life, taking risks and proving others wrong.

Overall, the album was a journey for Williams and listeners; the songs have captivating musicality and intense lyrics that make the album a must listen.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of petalsforarmor.com

Film Festivals have never been so easy to access

Never Retallack |  Entertainment Editor

In a time where art, literature and film are less accessible in person, it’s time to look at what is still available online. 

Film festivals are huge events that happen worldwide, but with the shifting times, there are several events that will be happening on smaller screens this year.

 

May 29 to June 7: The Brooklyn Film Festival is having their 23rd film festival. With over 148 films coming in from each continent, they will be fighting for the “Grand Chameleon” and 28 other awards offered. Due to the current situation, they will be allowing free access through their website: https://www.brooklynfilmfestival.org/?gclid=CjwKCAjw7-P1BRA2EiwAXoPWAxDccLm_-225G_0A-l7Lgz_OT4M0dDm_1nAU6-OyapTo93KfRFwDLxoCd3YQAvD_BwE

 

May 22 to June 14: The Ashland Independent Film Festival would be holding its 19 year in person festival, but due to safety precautions, they plan to move online. Over 24 days, there will be 30 featurette films and over 108 short films. More information can be found on their website:

https://filmfestivalflix.com/festival/aiff/#.XqslBqhKjct

 

Contact the author at howlentertainment@wou.edu

Southern Oregon Theatre company offers new online platform

Never Retallack |  Entertainment Editor

The Oregon Shakespeare Festival is a large annual event where dozens of shows are performed. It is no surprise that the event had to be altered due to the COVID-19 pandemic, but luckily the Southern Oregon Theatre Company has found a new way to connect millions to their performances.

The Southern Oregon Theatre Company has created a new digital platform called O!; by May 6, they plan to release previously recorded performances, documentaries, behind-the-scenes footage, interviews and educational videos.

The company had started their season on March 6 in Ashland, just three days after the first confirmed COVID-19 case. After Kate Brown’s stay-at-home order, the company had to cancel productions and let go of 400 employees.

While the company has promoted O! as a way to engage audiences with theater during these times, they still plan to host the Oregon Shakespeare Festival from Sept. 8 to Nov. 1 if possible. 

O! was originally meant to be released during 2021, but the company decided to premiere early to keep people excited about theater. The platform contents will be almost completely free, and there will be other forms of media available such as podcasts and interactive videos.

For those that are interested in seeing what is available, check out the website: https://osfashland.uscreen.io/

 

Contact the author at howlentertainment@wou.edu

Live theatre available on Youtube

Never Retallack |  Entertainment Editor

Theater has been a creative way to tell stories for centuries, and with the closure of theaters across the globe, many are missing the drama on stage. Luckily, there is a way to watch one of the most famous shows from the National Theatre in London, “Frankenstein.”

The show was originally performed and filmed in 2011; it was such an instantaneous hit that 800,000 people across the world experienced it. It was directed by Danny Boyle, and stars Benedict Cumberbatch and Jonny Lee Miller as they take turns alternating in the roles between Victor Frankenstein and the creature.

The viewing for “Frankenstein” with Cumberbatch as the creature will air from April 30 at 7 p.m. to May 7 at 7 p.m. The alternate play with Miller as the creature will air May 1 at 7 p.m. to May 8 at 7 p.m.

These performances can be found on YouTube under the channel titled “National Theatre. Not only will they have “Frankenstein,” but they also have several live performances on their channels for viewing pleasure.

While watching a live play at home is not the same as sitting in an auditorium, it still offers the same entertainment value. Check out National Theatre’s Youtube channel for the other available plays.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Claire Nicholson

Western Howl’s songs to stay sane during quarantine

Compiled by The Western Howl staff

For those interested in checking out these songs, Western has a Spotify account with any playlists we have compiled. This playlist can be found under the account name TheWesternHowl and the playlist title “Finding Sanity.”

 

“Talia” — King Princess

“Fly Away” — Lenny Kravitz

“Boss Bitch” — Doja Cat

“Death Bed” — Powfu 

“I’m Ready” — Sam Smith, Demi Lovato

“Ordinary People” — John Legend

“I Want It That Way” — Backstreet Boys

“STFU!” — Rina Sawayama 

“Million Pieces” — Bastille

“Bohemian Rhapsody” — Queen

“Don’t Stop me Now” — Queen

“Let’s Go Crazy” — Prince

“I’m Not Okay” — Weathers

 

Photo by Rachel Hetzel