Mount Hood

Springtime romance

Season two of “Bridgerton” brings love and angst to our screens

Camille Lenning | Entertainment Editor

Contact the author at howlentertainment@wou.edu

This review contains spoilers. 

“Bridgerton” season two premiered on March 25 and has already reached the number one spot on Netflix’s “Top 10 in the U.S. Today” list. 

Overall, “Bridgerton” is a great show to get anyone into a springtime mood. The colorful clothes, garden sets and lavish parties are enough to get even the most critical of people excited about the change of seasons. The marketing team was spot on with their release date. 

The plot this season, while a little over complicated and slow-paced at times, was entertaining enough to keep me enthralled. The angsty romance between Anthony Bridgerton and Kate Sharma alone was a fantastic representation of an enemies-to-lovers storyline — which helped keep things moving at slow points. 

Side plots were in abundance this season, including Eloise Bridgerton’s discovery of the feminist movement, added money troubles for the Featherington’s and even more Lady Whistledown drama. These plots were fairly compelling, but they could’ve cut much of the filler and still come out with a good season. 

My only real issue with season two was the consistent lack of communication between characters. While it certainly stoked the fires of drama, I can’t help but think the plot could’ve been simplified by just having characters talk to one another. The bond between sisters Kate and Edwina Sharma, for example, is often tested throughout the season. Kate refuses to tell Edwina she had feelings for Anthony, who is courting Edwina, which unnecessarily drives them apart during the climax.

Altogether, this season sated my hunger for a springtime period piece, but it was by no means a masterpiece of television. 6/10. 

 

The Gravity of Connection

Western presents “The Theory of Relativity” this winter term

Camille Lenning | Entertainment Editor

The 2021 – 22 academic year marks the return of in person shows on campus. Western’s theatre department is keeping to its winter term biennial tradition with their production of “The Theory of Relativity,” a musical written by playwright Brian Hill, with music composed by Neil Bartram. 

The musical offers a unique situation for those involved with its production — a large cast with relatively little set dressing. “The Theory of Relativity” is a largely student-produced play, featuring 18 actors and several student crew members, with only a few staff and faculty supervisors. 

The show itself is essentially a collection of songs with a recurring theme, according to the play’s director and Western theatre professor Dr. Michael Phillips. 

“This was (written by) a composer and a lyricist who got together with a bunch of college people and said ‘tell us your stories about what it means to connect to people,’” Phillips explained. “Out of those stories came the music for the show.”

Each song has its own unique topic, but all orbit around the theme of human connection. They eventually tie together in the grand finale, circling the center of gravity Einstein theorized in his theory of relativity.

Senior theater-actor training major Tessa Rosenau plays the character Beth in the musical, and will perform in the duet “Lipstick.” The song details an interaction between two individuals making eye contact on a busy sidewalk, and the mental anguish that follows. 

The dramedy promises to be a delightful addition to Western’s winter musical repertoire. 

“The Theory of Relativity” will have its opening night on Feb. 24 at 7:30 p.m., and will play at the same time through Feb. 26, as well as March 2 – March 5. There will be a matinee show at 2 p.m. on Feb. 27. Friday showings will be ASL interpreted. 

General admission will cost $14, senior citizens and Western faculty and staff tickets will cost $10, and Western students with a valid school ID can pick up their tickets for free.

“It’s really about how everybody is just getting through life and is in some way affected by and affecting others around them, and how that plays out in multiple different ways.”

18 students in the cast, 3 stage managers, 1 assistant director 

“I think it’s really close to being ready, I’m really excited. I think we’ve just peaked at the right time in the rehearsals. It feels like it’s ready to be presented to an audience, so I’m really excited for that.”

“This was (written by) a composer and a lyricist who got together with a bunch of college people and said ‘tell us your stories about what it means to connect to people, and what it means to be in relationships with people around you,’ and out of those stories came the music for the show. It’s really a show that originated with college aged people and is perfect for college aged people to perform. It’s good! You should come see it!”

Contact the author at howlentertainment@wou.edu

 

The Oscar Nominees

A list of nominees in the five most popular Oscar categories, with descriptions

Camille Lenning | Entertainment Editor

Despite the movie making business taking a hit during the COVID-19 pandemic, Hollywood made the most with what they had in 2021. Now that it’s Oscars season, the relatively few films made last year will get their time to shine. Here’s an in depth list of nominees from the five most popular Oscar categories: best picture, best actress, best actor, best director and best original screenplay.

Best Picture:

  • “Belfast”— Shot in mostly black and white, “Belfast” follows a young boy living during the conflicts in Northern Ireland in the late 1960s. 
  • “CODA” (2021) — Ruby, the only hearing person in her Deaf family, revives her passion for singing when she joins her high school’s choir. 
  • “Don’t Look Up” — Two astronomers discover a comet headed straight for Earth and must warn the world of its impending doom via press tour.  
  • “Drive My Car” — A special relationship forms between an aging, widowed actor and a 20-year-old girl he hires as his chauffeur. 
  • “Dune” (2021) — A young man with a great destiny must travel to a dangerous planet to ensure the survival of his family and his people. 
  • “Licorice Pizza” — Two young people learn about love and adventure in 1970s San Fernando Valley, California. 
  • “Nightmare Alley” (2021) — A con man teams up with a clairvoyant and her husband to swindle the wealthy elite. 
  • “The Power of the Dog” — A charismatic but cruel rancher torments his brother’s new wife and son until he is confronted with the possibility of falling in love. 
  • “West Side Story” (2021) — Based on the Broadway play, “Romeo and Juliet” meets 1957 New York City when two teenagers fall in love, while warring gangs, the Jets and the Sharks, fight for control of the streets.

Best Writing (Original Screenplay): 

  • Kenneth Branagh, “Belfast” — A semi-autobiographical take on Branagh’s life in Northern Ireland as the country becomes wrought with violence. 
  • Adam McKay, “Don’t Look Up” — A political satire and an allegory for climate change. 
  • Zach Baylin, “King Richard” — Based on the true story of their lives, Richard Williams overcomes great adversity and coaches his daughters Serena and Venus to victory. 
  • Paul Thomas Anderson, “Licorice Pizza” — With each character based on a real person from the 1970s, the fictional coming-of-age story follows 20-something Alana and 15-year-old Gary as they navigate the Hollywood scene. 
  • Eskil Vogt and Joachim Trier, “The Worst Person in the World” — A dramedy about Oslo native, Julie, who questions her love life and career path in an attempt to discover who she really is.

    Best Directing:

    • Kenneth Branagh, “Belfast” — Filmography highlights include “Hamlet” (1996), “Thor” and “Murder on the Oreint Express” (2017).
    • Ryusuke Hamaguchi, “Drive My Car” — Filmography highlights include “Asako I & II,” “Wife of a Spy” and “The Depths” (2010). 
    • Paul Thomas Anderson, “Licorice Pizza” — Filmography highlights include “There Will Be Blood,” “Magnolia” (1999) and “Inherent Vice.”
    • Jane Campion, “The Power of the Dog” — Filmography highlights include “The Piano,” “Bright Star” and “The Portrait of a Lady” (1996). 
    • Steven Spielberg, “West Side Story” (2021) — Filmography highlights include “E.T. the Extra Terrestrial,” “Jaws” and “Jurassic Park.”

      Best Actor in a Leading Role:

      • Javier Bardem, “Being the Ricardos” — As Desi Arnaz, a Cuban musician, producer and partner to Lucille Ball (Nicole Kidman). 
      • Benedict Cumberbatch, “The Power of the Dog” — As Phil Burbank, a hyper-masculine rancher in 1920s Montana. 
      • Andrew Garfield, “tick, tick…BOOM!” — As Johnathan Larson, the playwright responsible for the Broadway hit, “Rent.”
      • Will Smith, “King Richard” — As Richard Williams, father and coach to tennis legends Venus and Serena Williams. 
      • Denzel Washington, “The Tragedy of MacBeth” (2021) — As Lord MacBeth, a Scottish lord coerced into vying for the throne.

        Best Actress in a Leading Role:

        • Jessica Chastain, “The Eyes of Tammy Faye” — As Tammy Faye, a controversial televangelist. 
        • Olivia Colman, “The Lost Daughter” — As Leda Caruso, a woman confronted with her experiences as a mother on a solo beach trip.
        • Penélope Cruz, “Parallel Mothers” — As Janis, a photographer and single mother trying to expose the truth about mass killings in the Franscico Franco regime. 
        • Nicole Kidman, “Being the Ricardos” — As Lucille Ball, the star of the iconic show, “I Love Lucy.”
        • Kristen Stewart, “Spencer” — As Diana, the beloved Princess of Wales.

        Contact the author at howlentertainment@wou.edu

        “The Alpinist” Captures the Fleeting Flame of a Life Fully Lived

        “The Alpinist” shares the achievements of an incredible climber who challenged the limitations of his field

        Cole Boeck | Freelancer

        This review contains spoilers. 

        Rock climbing has gained notoriety throughout the past decade, particularly free soloing, which is climbing without the safety of a rope to anchor the climber to the route. The 2021 documentary “The Alpinist,” currently available to stream on Netflix, focuses on a solo alpine climber who didn’t reach out for the limelight: Marc-André Leclerc.

        This film demands to be seen. I assumed that the film, which is rated PG-13, would be stressful to watch as free soloing is such an intense sport. But there was something different about watching Leclerc climb. Seeing his ascent of The Grand Wall in Squamish, British Columbia, Canada, was breathtaking. There was a sense of serenity. Leclerc was so sure in his placement and his body. There was trust in every second. 

        I found myself asking how he could be so at peace in such a dangerous situation. How could anyone risk it?

        Alex Honnold, a famed name in the climbing scene, responded to those ideas by laughing it off, “Those are just dumb questions.” 

        I guess they are. There is no gray area there. There is either understanding — an acceptance of those risks — or there isn’t. It’s unfathomable to attempt to explain such a lived experience without a similar frame of reference.

        Perhaps there will always be a gap between our own and another’s experiences — a divide that can never fully be crossed. Is that the essence of humanity, to strive for empathy in spite of that knowledge? That noble goal of reaching out speaks to the importance of the journeys in our lives, as the destinations may never come. Leclerc said, “When you’re in the mountains … it’s like all of the superficialities of life just sort of evaporate. … You appreciate everything so much. … It’s kinda funny, the actual achievement doesn’t really change your life like you think it might, when you’re buildin’ up to it, but what you’re left with is the journey that got you to that point, … you’re left with so much more of a story. …  And that’s what I find is the most important.”

        I have a love for language, but I find myself unable to find words suited to describe Marc-André Leclerc’s life. He didn’t need them. He simply lived it, and he lived it fully. 

        I find it poignant that it wasn’t the climbing that killed him, but the descent. Cheers to a life that burned bright — d–n the consequences.

        9.5/10

        Contact the author at cboeck19@wou.edu

         

         

        “The Tinder Swindler”

        Review: “The Tinder Swindler”

        Camille Lenning | Entertainment Editor

        Pretty much everyone can agree that Tinder is a cesspool of catfishers and hookup culture, but many are on it looking for love anyway — however, the new Netflix documentary, “The Tinder Swindler,” might make viewers think twice about being on the app. 

        Directed by Felicity Morris, the producer of Emmy winning documentary “Don’t F**k With Cats,” this examination of a notorious Tinder con artist tugs at the heartstrings of viewers while still accurately presenting the facts of the case. 

        The film is about Simon Leviev, real name Shimon Yehuda Hayut, who used Tinder to convince women he was a wealthy man looking for a long term partner, and gradually conned them out of hundreds of thousands of dollars. 

        We are first introduced to Cecilie Fjellhøy, who was on Tinder just looking for Disney-level true love. We later meet Pernilla Sjoholm, who was never romantically involved with Leviev but traveled with him as a friend. The documentary features his long term girlfriend Ayleen Charlotte, who dated Leviev for 14 months before she found out he was scamming her. Between the three of them, Leviev conned them out of about $410,000. 

        Throughout the film, we see how Leviev masterfully manipulated these women into believing he was being pursued by his “enemies” who wanted him dead. He convinced them that the only way to keep him safe was to send him money, which he then spent to con other women in the same way. 

        The documentary does a fantastic job of conveying the emotions of these women and how bad their situation was, and continues to be. We hear voice memos of Leviev begging these women for money, and threatening them when they don’t send it. We also see text message exchanges between him and each woman, paired with their personal accounts of what he would say and do to convince them of his lies. 

        Overall, I think “The Tinder Swindler” is a very well made documentary. The editing and the story combine perfectly to give viewers an emotionally charged yet factually sound film that makes viewers want to punch a wall or start a petition, 7/10.

        Contact the author at howlentertainment@wou.edu

        Black History Month Reading List

        Book recommendations by Black authors for Black History Month

        Sarah Austin | Lifestyle Editor

        February is Black History Month, and what better way to observe it than diving into powerful books by black authors? Reflecting on what it means to be Black and teaching the struggles they have gone through ⏤ and still experience today ⏤ can even start at a young age. By continuously talking and teaching about slavery, segregation and racism we are one step closer to closing the gap and making a more inclusive and accepting society. Check the two lists below for 16 book recommendations to read as an adult, and 12 books to read to younger children. 

        Books for adults

        • “Between the World and Me” by Ta-Nehisi Coates
        • “Citizen: An American Lyric” by Claudia Rankine
        • “The Color of Water: A Black Man’s Tribute to His White Mother” by James McBride
        • “The Dead Are Arising: The Life of Malcolm X” by Les and Tamara Payne
        • “Exiles of Eden” by Ladan Osman
        • “The Hate U Give” by Angie Thomas
        • “Heavy” by Kiese Laymon
        • “Homegoing” by Yaa Gyasi
        • “Invisible Man” by Ralph Ellison
        • “Long Way Down” by Jason Reynolds
        • “Magical Negro” by Morgan Parker
        • “Pushout: The Criminalization of Black Girls in Schools” by Monique W. Morris
        • “Race Matters” by Cornel West
        • “Remaking Black Power: How Black Women Transformed an Era” by Ashley D. Farmer
        • “They Were Her Property” by Stephanie E. Jones-Rogers
        • “Well-Read Black Girl” by Glory Edim

        Books for youth

        • “Brown Girl Dreaming” by Jacqueline Woodson
        • “Henry’s Freedom Box: A True Story from the Underground Railroad” by Ellen Levine
        • “It’s OK to Be Different” by Sharon Purtill
        • “Juneteenth for Mazie” by Floyd Cooper
        • “My Hair is a Garden” by Cozbi A. Cabrera
        • “The Other Side” by Jacqueline Woodson
        • “Saturday” by Oge Mora
        • “Sulwe” by Lupita Nyong’o
        • “Tar Beach” by Faith Ringgold
        • “This Book is Anti-Racist” by Tiffany Jewell
        • “The Watsons Go to Birmingham – 1963” by Christopher Paul Curtis
        • “Woke: A Young Poet’s Call to Justice” by  Mahogany L. Browne, Olivia Gatwood and Elizabeth Acevedo

        Contact the author at howllifestyle@wou.edu

         

         

        The new word game Wordle has taken the world by storm

        The simplicity of this word game has attracted the attention of millions

        Mollie Herron | News Editor

        One of the world’s newest online game hyperfixations is Wordle. For those who have not yet played it, Wordle is a game that gives players six tries to guess a five letter word. With each guess the player is told which letters are not in the word, which ones are but not in the right place and which letters are in the correct place.

        The simple strategy game has taken the world by storm and one of the large contributing factors is the fact that it has remained free for so long, but that may not be the case for much longer. Wordle was recently purchased by the New York Times, which has caused many players to worry about the possibility of it becoming paywalled, requiring a subscription like most of their other games.

        The creator, Josh Wardle, has expressed joy about his deal with the New York Times as it was part of the inspiration behind the game and he appreciates the way they respect their players. Wardle graduated right down the road at the University of Oregon with a Master of Fine Arts in Digital Art which he used to create one of the most popular games right now.

        Many copycat games have emerged since Wordle’s overwhelming success. In app stores there are multiple games with the same basic puzzle, but claim to be better because the player can solve as many puzzles as they want rather than the single puzzle a day format Wordle has. These copycats include ads and in app purchases so their creators can turn a profit. 

        Wordle’s success has also brought attention to a different game on app stores with the same name. When Steve Cravotta, creator of the unrelated Wordle app, realized the profit he made was intended for Wardle, the two decided to donate the funds to Boost! West Oakland. The organization focuses on tutoring and mentoring students through the sixth grade in West Oakland. Wardle’s efforts to give back to the community with his newfound success should encourage others with fresh ideas to think about giving back to the younger generations. 

        Contact the author at howlnews@wou.edu