Mount Hood

Border wall encourages student participation

Chrys Weedon | Entertainment Editor

“You don’t have to be artistic to have a voice,” said senior Bachelor’s of Fine Arts student Eric Frey. Frey has a recent art installation that is a part of his thesis on discrimination and bias. His art piece is symbolic of any border wall: the Korean DMZ, the Berlin wall, the proposed U.S/Mexico wall.

“Right now we’ve got that ballot measure (Measure 105) talking about taking away sanctuary cities. And (building the wall) has been a hot-button issue since the 2016 election. So I thought this would be a good opportunity for free speech here on campus,” commented Frey. “For me, I’m not making a statement either way, pro-wall or anti-wall.”

Frey acknowledges that there is a large variety of students on campus, including those with conservative ideologies and those included under the DREAM act. This art piece was meant to start a dialogue about border security and border walls.

This piece is constructed with a 2×4 frame and cement and burlap banners. The top is adorned with faux barbed wire, handmade out of hemp twine. Students and community members are encouraged to interact with the installation with paint, stencils, or even a baseball bat. The only thing Frey asks is not used is biological waste, human or animal. This installation piece is completely funded by the artist, so it is important that participants take care not to damage the frame itself.

Eric Frey retired from the Army in 2016, and came to Western considering a business major: “I got pulled into the art program, and ever since then it’s just been that I’ve found my creative side.” The soon-to-be graduate has been to Iraq, Afghanistan, Egypt and Israel.

Being a combat veteran, Frey believes that he has an unique perspective to bring to the art community.

“I’ve seen some of the worst in humanity, and the best in humanity. So those experiences definitely shape my art,” said Frey.

The wall will be up until Dec. 1, and Frey intends to show the pieces in local galleries for the rest of the school year once it’s taken down.

“As long as it’s on display it’s a living, breathing conversation,” Frey remarked.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Ashlynn Norton

The Majestic Theatre opens “Catch Me If You Can”

Chrys Weedon | Entertainment Editor

On Nov. 2, the Majestic Theatre in downtown Corvallis opened their production of the musical “Catch Me If You Can.” This story, based on true events, follows the escapades of Frank William Abagnale Jr. Born in 1948 in New York; Frank Jr. ran away from home at the fresh age of 16 after his parents’ divorce.

Abagnale soon became the one of the most successful and famous con men in history. Frank Jr. posed as a pilot, a lawyer, and a doctor. In his criminal career, he cashed around $2.5 million in bad checks. Throughout the play, Frank is chased by tenacious FBI agent Carl Hanratty. Eventually, Frank Jr. is captured and spent years imprisoned in multiple different countries. When he was released, Abagnale started work as an FBI consultant and started his own fraud consultancy company. The Broadway musical was first performed in 2011.

The cast of this Majestic production was extremely energetic and talented. The choreography is intricate and clearly the work of a talented and dedicated choreographer. Despite some technical difficulties, the play was a big hit with the audience and continued without any major snafus.

The cast of this musical includes multiple Western Oregon University alumni: Lawrence Dannen, Laura Killip, and A.J. Saddler.

Saddler graduated in the Spring of 2018 from Western’s Bachelor of Fine Arts program, and this will be his second time performing as a graduate.

“The theatre program at WOU and the people who I came in contact with while studying (whether it be professors or students) has taught me how to be a professional theatre artist,” commented Saddler. “I have to give a shout out to the department and all those who run it for providing me with the opportunity to be able to move forward in my life as the artist I want to be.”

Future shows will be held Nov. 8-10, 15-17 at 7:30 p.m., with matinee performances Nov. 11 and 18 at 2:30 p.m. Students can purchase tickets at the discounted price of $16.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Ashlynn Norton

Review: “The Travelling Cat Chronicles”

Chrys Weedon | Entertainment Editor

At first glance, “The Travelling Cat Chronicles” is a sappy, sentimental novel told mostly from the perspective of a proud male cat named Nana. This may be true, but a closer look will reveal that this novel has many levels and tackles many important topics such as friendship, life and loss. The english translation of this Japanese novel was released on Oct. 23.

The narration of this heartwarming story alternates between Nana’s perspective and third person omniscient perspective of the cat’s owner, Satoru, and his various friends and family. Nana’s voice carries readers through the story about half the time.

The reader is blessed with many different cat maxims that will bring any cat-lover a good chuckle and a softer heart.

Initially a stray, Nana — named after his hooked tail that resembles seven in Japanese — gets hit by a car and finds help when he arrives at Satoru’s Tokyo apartment. They live in happy symbiosis for several years, when for an unknown and sudden reason Satoru begins searching for someone to take care of Nana when he is no longer able. The pair begins a journey around the country to visit four of Satoru’s childhood friends.

With every visit comes a different reason that the friends aren’t the right fit to take care of Nana. Most of the incidents that cause Satoru doubt about giving his cat away are usually connived by Nana himself. As the story unwinds, Nana begins to realize, with the help of other pets he encounters along the way, that Satoru is getting closer and closer to the end of his life due to an aggressive illness.

We see throughout the story that despite many hardships, Satoru remains genuine and loving. He is also truly a cat lover, which is clear from the very first chapter, but is solidified with every page and every journey he takes with his beloved Nana.

This book is truly a tear-jerker and is guaranteed to make any cat-lover bittersweetly content. Being a cat lover isn’t a requirement either; any animal lover should find this story endearing and thoughtful. It shows true, loving companionship that is unique between human and pet.

 

Overall review: I would highly recommend this book.

 

Contact the author at howlentertainment@wou.edu

Central High School showcases “Mamma Mia!” in its west coast debut

Chrys Weedon | Entertainment Editor

“We are actually the third high school in the country to do (“Mamma Mia”),” said Central High School’s production director Jeff Witt, “the other two are east of Texas, so we’re the west coast high school premier.”

In May of 2018, Jeff Witt — the vocal and music director at Central High School — teamed up with co-director Wendy Boyack to make their vision a reality. The theater program was originally planning on showcasing an entirely different musical, “Tuck Everlasting,” until they were notified that the rights to the musical had been restricted. That same day, Witt was made aware that “Mamma Mia!” was available.

Witt sent in the school’s royalty application — which cost $3,000 — and received the good news that Central High would be putting on the first production of “Mamma Mia” on the west coast.

“(The students) would not stop screaming,” Witt chuckled as he recalled the moment he revealed the decision to his students.

Rehearsals started in mid-August of this year.

“We’re here every Saturday, sometimes Sunday, putting that set together,” Witt said as he pointed to the looming 24-foot revolve nestled on stage left. The theater department was able to acquire the same walls used in Broadway Rose’s production of “Mamma Mia” in Portland; the walls sit atop the revolving base and forms three separate scenes that can be changed via the attached motor. The program spent an additional $8,000 on new microphones for the show.

“(‘Mamma Mia!’) fits the kids that I have. I always look for a show that fits the kids that I have, and when that happens they have a good time doing it,” director Witt commented.

The leading actors, Lillian Boyack as Sophie; Monique Eschette as Donna; and Seth Dickson as Sam Carmichael, definitely commanded the crowd’s attention. Each showed promising vocal skill and stage presence.

The secondary and tertiary characters also gave lighthearted, confident performances and cultivated an easy-going, fun-loving environment. The excitement of the whole cast throughout the show was palpable from the audience.

The production included disco choreography that is symbolic of ABBA’s career. There were a surprising amount of tender, teary-eyed moments along with the more frequent laughable ones.

There were a couple snafu’s and off-key moments, but considering that this show is a high school production, the performance was entertaining and proved to be a crowd-pleaser.

Future shows will be held November 1-3. Tickets are sold at the door or online on Central High’s website.

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Ashlynn Norton

Three true crime podcasts to stream

Chrys Weedon | Entertainment Editor

“Criminal”

Launched in 2014, “Criminal” is an award-winning podcast that takes a holistic look at crime and how it intersects with sociology and history. The host, Phoebe Judge, has a journalistic style that always cultivates a profoundly human element in each episode. Judge’s voice is soothing, and her questions honest and vulnerable, carrying the listener safely through each story no matter how strange.

Where to listen: This podcast can be listened to anywhere podcasts are found, including thisiscriminal.com. There are original illustrations for every episode of “Criminal,” which can also be found on their website.

Photo courtesy of thisiscriminal.com

 

“True Crime Garage”

Co-hosts Nic and the Captain cover both solved and unsolved true crime cases on their podcast, launched in 2015. These two men conduct impressively in-depth research, and educate their listeners about every version of events and possible theory surrounding each crime they discuss. The tone of the show is more informal and comical, but the pair of hosts still remain respectful of the cases and their seriousness.

Where to listen: A complete anthology of episodes can be found of the Stitcher radio app. A select number of episodes are available for free on the website truecrimegarage.com and are available for purchase on iTunes.

Photo courtesy of truecrimegarage.com

 

“My Favorite Murder”

Similar to “True Crime Garage,” this podcast is self-described on their website as a “true crime comedy.” The newest of the three podcasts, “My Favorite Murder” was launched in early 2016 by Georgia Hardstark and Karen Kilgariff. The show is full of the host’s dry, blunt sense of humor and exhibits a number of female-centered stories. The co-hosts also include information about their personal lives, which balances out the heaviness of the true crime material and may be why they’ve made such a connection with their loyal fanbase.

Where to listen: This podcast can be found on iTunes, Stitcher radio, and Player FM.

Photo courtesy of myfavoritemurder.com

 

Contact the author at howlentertainment@wou.edu

The Western Howl staff pick their favorite Halloween-themed movies

Compiled by: The Western Howl staff

Chrys — “The VVitch” (2015). My favorite scary movie has to be “The VVitch.” I remember going to see it in theaters when it came out in 2016. This movie mastered the art of atmospheric horror. I can’t sit through this movie without squirming in my chair, and comfort is an impossibility. The film still remains spooky without excessive use of jump scares, which I really appreciate. The cinematographer Jarin Blaschke and director Robert Eggers have created a visual environment that is dark, anxious, and horrifying. Anya Taylor-Joy is truly at her best and her performance really enhances it to all it’s uncomfortable, horrible glory. I would strongly recommend this film.

Contact the author at cweedon16@wou.edu

Caity — “Halloween” (1978). This movie will never not be my favorite horror flick. It set the precedent for what a slasher film would be, and ushered in a decade of holiday-centered horror films that tried to imitate what this classic did. No matter how many times I watch it, the haunting — but simple — score, matched with the heart-racing scenes, are enough to make this the most memorable scary movie I’ve seen yet. Introducing Jamie Lee Curtis, as director John Carpenter’s nod to Curtis’s mother Janet Leigh, star of “Psycho,” the film helped create the scream queen of slasher flicks. While this movie is a horror masterpiece, the sequels don’t even come close to the original, so I’d recommend only watching the first installment.

Contact the author at chealy16@wou.edu

Bailey — “The Nightmare Before Christmas” (1993). This Disney flick is an innovative story that serves two genres: Christmas movies and Halloween movies. Now a cult classic, “The Nightmare Before Christmas” combines the creative mind of Tim Burton with the musical stylings of Danny Elfman to create a movie that the whole family can enjoy. In fact, there’s even a ride at Disneyland that is made-over with a “ The Nightmare Before Christmas” theme every year. And this year, the lovably misguided Jack Skellington, “Pumpkin King” of Halloween Town, is getting re-released on Blu-ray as a celebration of the film’s 25th anniversary. This funny and frightening tale made over 75 million dollars in the box office, and I would strongly recommend it to anyone.

Contact the author at bthompson15@wou.edu

Kyle — “Hocus Pocus” (1993). During one night of Halloween, three villainous witches made their way back from the dead to bring us the Disney film, “Hocus Pocus.” This cult classic became my favorite Halloween-theme movie when I was a child. It includes the right amount of comedy, horror and music. No matter how many times I watch it, I can never get enough of the Sanderson sisters. It’s as if they put a spell on me. Although meant for children, the director was able to sneak jokes that only adults can understand, so I would strongly recommend this movie to anyone.

Contact the author at kmorden17@wou.edu

Rachel — “Sleepy Hollow”, starring Johnny Depp and directed by Tim Burton, is my favorite Halloween movie. It is based on the legend of the Headless Horseman. It’s a gothic supernatural horror film, although I didn’t find it too scary. It’s about Ichabod Crane, a police constable, who is sent to solve the mystery behind the murders taking place in the town Sleepy Hollow. I would recommend this movie to anyone who likes dark themed movies, without a lot of scares.

Contact the author at rhetzel18@wou.edu

Ashlynn — “Corpse Bride” (2005). “The Corpse Bride” is another classic Tim Burton animation that is perfect for Halloween. It’s not a scary movie, but it does have the right amount of creepiness to celebrate this spine-tingling holiday. This lighthearted movie is perfect for anyone who is like me and loves a good laugh and a happy ending. It is a sweet story of a soon to be groom who gets the jitters. He unknowingly proposes to a corpse and has to figure out how to reverse what he has done. It’s a spoopy film that I always watch on Halloween and highly recommend to others.

Contact the author at anorton17@wou.edu

Becca — “Hush” (2016). What I liked about this movie is that it doesn’t fall into the usual scary movie tropes of having main characters who make terrible decisions that have you yelling at your screen. The main character in this movie is a young Deaf woman who is being stalked in her house by a killer. Unlike many other horror movies, in this one she actually makes smart, methodical decisions and the movie is full of constant suspense. The ending was also unexpected for me. While I usually find myself leaning towards supernatural when watching horror movies, this one stuck out to me.

Contact the author at rmeyers17@mail.wou.edu

 

Cora — “Halloweentown” (1998). Witches and goblins and skelies, oh my! No Dylan, we’re not in Cleveland, we’re taking the bus to St. Helens, Oregon, a.k.a. “Halloweentown.” Watch as future head of the Cromwell line, “I’m 13…I’m practically a grown-up” Marnie, stumbles through finishing a spell her not-so-responsible grandmother started (before literally walking into a trap) to reverse the evil magic seeping its way into the heart of Halloweentown. Don’t worry about Marnie being the most inept witch ever, her seven-year-old sister Sophie saves the day; and like a true hero gets none of the credit, leaving community health major senior Keith Mathew to cry “what about Sophie?!” With a dash of 90s radical slang, spoopy Halloween hijinks and a wholesome the “true power is love” moral, “Halloweentown” (and its three sequels) should appear in everyone’s Halloween movie marathon.

Contact the author at cmcclain17@mail.wou.edu

Paul — “Scared Shrekless” (2010). Our favorite childhood meme team is back at it again competing to see who can stay in Lord Farquaad’s old castle the longest by telling spooky stories. This short contains three sections that are told as separate stories. Gingy, our lovely little sentient gingerbread man, tells us about how his tumultuous love life led to him getting eaten by a zombie lover. Our friend Boots then tells us about his worst fear which is too intense to mention in such a short review. Finally, Shrek tells us about his experience with Pinocchio’s demonic possession and the mild psychosis that came along with it. Overall, if you need some fun short goofs with your favorite childhood characters you’ll really enjoy this show.

Contact the author at pfdavis14@wou.edu

 

Photo courtesy of Paul F. Davis

A Cappella club discusses plans for this year

Chrys Weedon | Entertainment Editor

“Last year was our…first time integrating and so now we’re starting out this year strong,” said A Cappella club President Violet Trammel. At the beginning of the 2017-2018 school year, Western’s two A cappella groups — Suspended and 15 Miles West — integrated and became one coed group. Since then, they have been focusing on performing more events, and gaining more visibility through community outreach.

“What’s cool about this year, opposed to last year, we’re actually doing a fall concert,” said Vice President Cole Aldred, “we didn’t last year because it was kind of a hard transition to get the new cohesive group in motion.”

Last year, The West of Us was part of the ICCA competition: the International Championship of Collegiate A Cappella. The event took up a lot of time, which resulted in the club being MIA for most of the year.

“Sometimes people are like ‘we have an acapella group?’” said Trammel when asked why she wanted to focus on getting more visibility on campus.

The A Cappella club is completely student-led. Most of the songs performed by the club are arranged by its members. There are 16 members total, which helps the group achieve things they weren’t able to when there were two separate clubs.

“Overall, in terms of musicality and things that we’re able to achieve, integrating has been the best for us. We can make so much more and we can do so much more with our songs having a larger group,” remarked Trammel.

Both the President and the Vice President agree that their favorite part of being involved in A Cappella is the friendships they’ve formed during their time in the club.

“The friendships you make in A Capella are super lasting and they’ve been the closest people to me,” commented Trammel.

The West of Us holds auditions for performance roles every fall term: “We’re looking for people that wanna have fun, that are musically inclined, and that want to have a good time on stage,” said Trammel.

The club’s next performance is their fall concert on Nov. 12 (location and time TBD).

 

Contact the author at howlentertainment@wou.edu

Photo courtesy of Paul F. Davis

Western Oregon University

Facebook   Instagram   Twitter  YouTube

WESTERN OREGON UNIVERSITY
345 Monmouth Ave. N.
Monmouth OR 97361

503-838-8000 | 1-877-877-1593

Tools

Campus Maps
Canvas
Find People
Portal
WOU Email
Technical Support

Resources

A-Z Index
Accessibility
Academic Calendar
Class Schedule
Jobs at WOU
News
Explore WOU
Partnerships
Student Services
Freedom of Expression

Western Oregon University’s Land Acknowledgement
Western Oregon University in Monmouth, OR is located within the traditional homelands of the Luckiamute Band of Kalapuya. Following the Willamette Valley Treaty of 1855 (Kalapuya etc. Treaty), Kalapuya people were forcibly removed to reservations in Western Oregon. Today, living descendants of these people are a part of the Confederated Tribes of Grand Ronde Community of Oregon and the Confederated Tribes of the Siletz Indians.

Accessibility    Public Records    Privacy    Student Consumer Information

WOU prohibits discrimination on the basis of race, color, sex, national or ethnic origin, age, religion, marital status, disability, veteran status, sexual orientation, gender identity, and gender expression in all programs, activities and employment practices as required by Title IX, other applicable laws, and policies. Retaliation is prohibited by WOU.